The Killing on Sutter Street

I'd driven all night mostly over mountain roads, but I wasn't tired or sleepy when I hit Oakland at daylight. I parked the coupe near the Emeryville station, wondering if I'd ever see it again, but not caring. All keyed up, the thought of breakfast made me sickish and I grabbed the first train that came along. I sat on the right side of the first car so I could see the towers of San Francisco climbing up out of the mist. The weight of the .38 pistol in my coat pocket was friendly and comforting when I thought of what I was going to do. I would put the gun right to his belt buckle and shoot downward, and in my mind's eye I saw the bright, hard-jacketed slug spinning through his bladder, his prostate, his entrails, and on into the splintering base of his spine. It traveled very slowly, taking lots and lots of time.

From the station I phoned Helen, and from the way she sounded I woke her up. "Yes, my sister's here, but she don't want to talk to you," Helen said. "You've got gall, Mac, after all you've done. She won't talk to you."

"Judy isn't there. You're just covering up for Judy just like the whole family covers up," I told her. "And you know who she's been with all night, too."

She slammed the receiver. I stood thinking for a minute, then walked down the ramp and hailed a cab. I'd left my coupe across the bay because I didn't want to hunt for parking places in a place I didn't know very well. I'd got a ticket in Red Bluff on the way down and now I wanted no slip-ups. The cab took me up Market, then turned off and after quite a long ride dumped me out at the Turk Street address I'd given. It was a hotel for Elks, or Shriners or something, and he always stayed there when he was in town.

"I want to see Sheriff Dickson from Paloma County," I said to the manager. "I'm a friend." The word stuck in my throat a little.

"The sheriff checked out yesterday, same day he came. Say, did you know that old Kurt was married?" He grinned at me. When I didn't say anything he kept talking. "I've known him for years. A prince. But you could have knocked me down with a feather. They're staying at the D'Orsay Arms, on Sutter."

I took another cab. The D'Orsay was a dinky little place, and except for the room clerk the lobby was empty. On the register was: K.W. Dickson & Wife, Paloma City.

"They're out for breakfast. Want to wait?"

I waited outside, walking back and forth and keeping my gun warm. I hadn't intended it this way, but now I'd get them both. Dickson first. I wouldn't shoot through my coat-pocket because I wanted him to know what was happening to him. Suddenly, there they were! I'd been watching up and down the street and hadn't expected them to come around the corner right beside me. There was Dickson, big and good-looking, in spite of being away past fifty, with his diamonds flashing and wearing that hat with the wide, flat brim like the one you see in photographs of Jack London. I was slow in getting the gun out and he grabbed me.

I was slow because the woman with him was tall, slender and about forty years old. It wasn't Judy. While I was being manhandled she stood there smiling and I thought she would clap her hands. Just glowing with admiration for the brave sheriff who was demonstrating what he could do to a husky young man just half his age. He was powerful, and I'd been too surprised to fight. He'd twisted the pistol from my hand and now he had me on the sidewalk with his knee on my chest. My mind was as flattened as my body because I was remembering something I'd heard years ago, a story that Dickson had a wife who was dying, or was dead, in a tb. sanitarium down south. I knew that here she was, and that she'd saved Dickson's life.

I was crying and cussing his guts at the same time. "All right, I've been playing around with your wife, Mac, and so what," he said, and he split my lip with the fist that was holding the pistol. But a crowd was gathering, and he calmed down. When a cop pushed through he said something to him and showed his badge. At the same time he yanked me to my feet and told me to shut up. "Come on into the hotel. We'll talk this over."

It was a funny thing, that talk. Dickson got out a fifth of rye and poured shots for both of us while he told me that as far as Judy was concerned, sure, he'd only been human but that was past and why didn't I go back to her. I was shaking, and I said I never wanted to see or hear from that little bitch again. The woman listened to everything, not smiling now, and I could notice her make-up more and more as she got whiter beneath it. All at once she reached out and splashed a whole water-tumbler full of whiskey. She gagged on the first swallow, then drank it fast, before Dickson could get to her.

"What the hell, Stella!" he roared out. "The doctors told you, didn't they? What are you trying to do?"

"Celebrating my return to life," she said, and I never saw anybody getting drunk in such a hurry. "Celebrating. You always liked them young, didn't you Kurt? Even twenty years ago you did. Old Faithful Kurt." I didn't know whether she was crying or laughing.

"I'm leaving here," I said, when Dickson grabbed her and began steering her out of the little parlor into the bedroom.

"Damned right you are."

I was halfway down the hall when I heard him calling me. He sounded like a wild man. "Help me for God's sakes, kid! She's having a hemorrhage from the lungs! Get somebody!"

I went back, and on into the bedroom. The sheriff had forgotten all about the phone. I picked it up and called the desk. There wasn't any house physician, the clerk said, so I told him to get an ambulance, a police ambulance if that was faster. But to me it didn't seem to be of much use.

In my mind's eye I could see that bullet, traveling slowly and taking lots and lots of time.

The room was pretty awful. A chair with nylons hanging over the back of it was tipped over, and Dickson was sitting on the ruined bed, holding Stella. He still had that fool Jack London hat on and he was crooning to her like he was out of his mind. I don't know if she heard or not, but I did.

"I wouldn't lie to you now, Stella. Not at a time like this. It's only you and it's only been you, and there was nothing that happened between me and that girl. There couldn't be, and after last night you should know it, too, but I wanted the whole town to think I was as good as ever and a devil of a fellow, and that's how it was, I swear."

There was a coffee shop just around the corner from the hotel and I went in and drank two cups, black, because whiskey on an empty stomach never agrees with me and I was woozy. The waitress had heard the sirens and was curious. I told her there had been a killing, a kind of accident, and a woman had got in the line of fire. Then I went back to the phone booth.

"Helen, I want to talk to Judy," I said. "Please let me talk to Judy. Please...please."

-END-



Comments (25)

Jonathan G. Jensen on January 16, 2010 9:46 AM

Hi Laurie, Good tale there, I do like how your Grandfather could write. I think very much he could have sold that to a Detective Mag, like Ten Detective Aces, their stories very much like Paul wrote. Jonathan Jensen

Charles Gramlich on January 16, 2010 10:23 AM

Now there was a twist I didn't expect at the end. And actually a relatively happy ending. For our narrator at least. Interesting.

Barry Traylor on January 16, 2010 11:31 AM

Good yarn Laurie. Pretty hard-boiled stuff actually.

Chris on January 16, 2010 11:58 AM

Great little story. The whole idea of the "discovered" manuscript makes it that much cooler. It felt vintage because it is, even as it is new at the same time.

Keith Rawson on January 16, 2010 12:47 PM

Laurie and David,

Thanks for this, what a great read!

Laurie on January 16, 2010 1:33 PM

Thanks for all your comments! It really is a treat to see my grandfather's hard work appreciated. And thank you David and Elaine for your support.

Cap'n Bob on January 16, 2010 1:49 PM

I liked this a lot, Laurie. Great writing and neat twist.

Terrie Farley Moran on January 16, 2010 8:37 PM

Laurie, thanks for letting us all read this beautifully written story.

Terrie

Evan Lewis on January 16, 2010 8:50 PM

Cool story! I can see why you thought it'd be perfect for BTAP, Laurie. You mentioned there was no record of Paul submitting this story, but what mag(s) did he submit the other mysteries of this period to?

Barrie Summy on January 16, 2010 10:15 PM

Besides, enjoying this piece, I loved reading about it ended up on this blog. ;)

Scott F. Hartshorn on January 17, 2010 12:26 AM

Great yarn...and just the right venue for it...thank you Paul (and Laurie) Powers

George Frost on January 17, 2010 7:47 AM

I am a long time reader of Beat To A Pulp but first time leaving a comment. I could not pass up the chance of telling a old time pulpster like Paul Powers (and all his peers looking down) thank you for the many hours of reading pleasure. It's great to have one of you back even if it is a one time shot.

Laurie Powers on January 17, 2010 11:20 AM

I'm sure my grandfather would be so pleased with all of your comments. As for me, it makes my heart happy.

Dave, he submitted these stories to a lot of places through his agent, but I don't know if this one was ever submitted.

Thanks again, everyone.

David Cranmer on January 17, 2010 11:34 AM

Laurie, That makes it even more special that we were the first.

Another highlight will be reader's reactions to "The Strange Death of Ambrose Bierce" which will be featured in our print anthology later this year. This haunting piece will further demonstrate your grandfather's wide range of talent.

Geoff A. on January 17, 2010 12:15 PM

Impressive story that delivers a classic wallop. I would expect nothing else from a legend.

Chap O'Keefe on January 17, 2010 2:56 PM

Good yarn! And I liked the touch of making available a PDF of the original typescript. Lots of atmosphere and nostalgia in that, this one taking me back in particular to the days when I was editing the Edgar Wallace Mystery Magazine. Yes, younger people, this really is how contributors' submissions looked in the pre word-processing days when all you had was a clunky manual typewriter.

Laurie on January 17, 2010 6:47 PM

Keith, that was David and Elaine's idea of putting up the pdf of the original. I'd like to make the book collection to be fascimiles of the original manuscripts, but I don't know if a traditional publisher would go along with that.

Nik Morton on January 18, 2010 6:16 AM

Oh, that some of my unpublished dust-gathering stories were as good as this little gem. Noir-full. Best of luck with the collection, Laurie!

James Reasoner on January 18, 2010 12:12 PM

This is a fine story and makes me look forward even more to the other unpublished Powers yarns. That's as good an opening paragraph as I've read in a while. Loved the PDF of the manuscript, too. That's the way my stories looked for a lot of years.

Richard Prosch on January 18, 2010 6:04 PM

A terrific yarn that I'm glad has seen the light of day. Thanks, Laurie!

don on January 18, 2010 10:24 PM

Effie slipped into the office, "Did you hear what happened at the D'Orsay?" "Sure." Sam shrugged as he finished making his cigarette. "Sounds like something Miles would get involved in. If that Wonderley dame is outside, shoo her in." He put down the cigarette and made a wolfish smile.

Glenn on January 18, 2010 10:53 PM

Smashing story and cause it's from a original pulp writer like Powers makes it all the more special.

Adam Pendegraph on January 21, 2010 9:50 AM

That is what they call a blast from the past. Crisp, hard as nails writing with a nice twist to swallow it down.

Paul D. Brazill on January 24, 2010 6:56 AM

Brilliantly twisty turney journey.

Patti Abbott on January 24, 2010 9:20 AM

Wow. You can see a master at work in this one.